Apple final cut pro x cheat sheet pdf free download. Keyboard shortcuts in Final Cut Pro

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Close Menu Cheat Sheet Maker. Share to Default Destination Share the selected project or clip using the default destination. Crop Tool Make the Crop tool active and display onscreen controls for the selected clip or the topmost clip under the playhead. Distort Tool Make the Distort tool active and display onscreen controls for the selected clip or the topmost clip under the playhead. Transform Tool Make the Transform tool active and display onscreen controls for the selected clip or the topmost clip under the playhead.

Down Go to the next item in the browser or the next edit point in the timeline. Down While editing a text field, go to the next item in the browser or the next edit point in the timeline.

Go to Beginning Move the playhead to the beginning of the timeline or the first clip in the browser. Go to End Move the playhead to the end of the timeline or to the last clip in the browser. Go to Next Bank Display the next bank of angles in the current multicam clip. Go to Previous Bank Display the previous bank of angles in the current multicam clip. Go to Previous Edit Move the playhead to the previous edit point in the timeline.

Go to Previous Field Move the playhead to the previous field in an interlaced clip. Monitor Audio Turn on or turn off audio monitoring for the angle being skimmed.

Negative Timecode Entry Enter a negative timecode value to move the playhead back, move a clip earlier, or trim a range or clip, depending on your selection. Next Clip Go to the next item in the browser or the next edit point in the timeline. Play Forward Play forward press L multiple times to increase the playback speed. Play Reverse Play in reverse press J multiple times to increase the reverse playback speed.

Play Reverse Play in reverse while editing a text field press J multiple times to increase the reverse playback speed. Positive Time code EntryEnter a positive timecode value to move the playhead forward, move a clip later, or trim a range or clip, depending on your selection. Previous Clip Go to the previous item in the browser or the previous edit point in the timeline.

Up Go to the previous item in the browser or the previous edit point in the timeline. Up While editing a text field, go to the previous item in the browser or the previous edit point in the timeline. Clip Appearance: Clip Labels Only Depending on the clip name setting, display timeline clips with clip names, role names, or active angle names only.

Clip Appearance: Filmstrips Only Display timeline clips with large filmstrips only. Clip Appearance: Large Filmstrips Display timeline clips with small audio waveforms and large filmstrips. Clip Appearance: Large Waveforms Display timeline clips with large audio waveforms and small filmstrips.

Clip Appearance: Waveforms and Filmstrips Display timeline clips with audio waveforms and video filmstrips of equal size. Clip Appearance: Waveforms Only Display timeline clips with large audio waveforms only. Zoom to Fit Zoom the contents to fit the size of the browser, viewer, or timeline.

Toggle Inspector Height Switch between the half-height view and full-height view in the inspector. Audition: Duplicate as Audition — Create an audition with a timeline clip and a duplicate version of the clip, including applied effects. Audition: Duplicate from Original — Duplicate the selected audition clip without applied effects.

Audition: Replace and Add to Audition — Create an audition and replace the timeline clip with the current selection. Blade Cut the primary storyline clip or the selection at the skimmer or playhead location.

Connect Default Lower Third Connect the default lower third to the primary storyline. Cut and Switch to Viewer Angle 1 Cut and switch the multicam clip to angle 1 of the current bank. Cut and Switch to Viewer Angle 2 Cut and switch the multicam clip to angle 2 of the current bank. Cut and Switch to Viewer Angle 3 Cut and switch the multicam clip to angle 3 of the current bank. Cut and Switch to Viewer Angle 4 Cut and switch the multicam clip to angle 4 of the current bank.

Cut and Switch to Viewer Angle 5 Cut and switch the multicam clip to angle 5 of the current bank. Cut and Switch to Viewer Angle 6 Cut and switch the multicam clip to angle 6 of the current bank. Cut and Switch to Viewer Angle 7 Cut and switch the multicam clip to angle 7 of the current bank. Cut and Switch to Viewer Angle 8 Cut and switch the multicam clip to angle 8 of the current bank.

Cut and Switch to Viewer Angle 9 Cut and switch the multicam clip to angle 9 of the current bank. Delete Selection Only Delete the selection and attach the connected clip or clips to the resulting gap clip. Extend Selection Down In the browser list view, add the next item to the selection. Extend Selection to Next Clip In the timeline, add the next item to the selection. Extend Selection Up In the browser list view, add the previous item to the selection. Insert a freeze frame at the playhead or skimmer location in the timeline, or connect a freeze frame from the skimmer or playhead location in the event to the playhead location in the timeline.

Nudge Audio Subframe Left Nudge the selected audio edit point left by one subframe, creating a split edit. Nudge Audio Subframe Left Many Nudge the selected audio edit point left by 10 subframes, creating a split edit. Nudge Audio Subframe Right Nudge the selected audio edit point right by one subframe, creating a split edit.

Nudge Audio Subframe Right Many Nudge the selected audio edit point right by 10 subframes, creating a split edit. Nudge Down Nudge down the value of the selected keyframe in the animation editor. Nudge Up Nudge up the value of the selected keyframe in the animation editor.

Overwrite — Backtimed Overwrite from the skimmer or playhead position back. Overwrite to Primary Storyline Overwrite at the skimmer or playhead position in the primary storyline. Previous Audio Angle Switch to the previous audio angle in the multicam clip. Previous Pick Select the previous clip in the Audition window, making it the audition pick. Previous Video Angle Switch to the previous video angle in the multicam clip.

Replace Replace the selected clip in the timeline with the browser selection. Replace from Start Replace the selected clip in the timeline with the browser selection, starting from its start point. Select Clip Above Select the clip above the current timeline selection at the skimmer or playhead location.

Select Clip Below Select the clip below the current timeline selection at the skimmer or playhead location. Select Next Clip Move the playhead and the selection to the next topmost timeline clip in the same role. Select Next Pick Select the next clip in the Audition window, making it the audition pick. Select Previous Clip Move the playhead and the selection to the previous topmost timeline clip in the same role.

Set Additional Selection End Set an additional range selection endpoint at the playhead or skimmer location. Set Additional Selection Start Set an additional range selection start point at the playhead or skimmer location.

Source Media: Audio OnlyTurn on audio-only mode to add the audio portion of your selection to the timeline. Source Media: Video OnlyTurn on video-only mode to add the video portion of your selection to the timeline. Replace the selected captions with abutting single-line captions, one for each line of text in the original captions. Trim End Trim the end of the selected or topmost clip to the skimmer or playhead position. Add Basic Lower Third Connect a basic lower-third title to the primary storyline.

Paste Attributes Paste selected attributes and their settings to the selection. Retime: Reset Reset the selection to play forward at normal percent speed. Delete Delete the timeline selection, reject the browser selection, or remove a through the edit.

Find Show or hide the Filter window in the browser or the timeline index in the timeline. Library Properties Open the Library Properties inspector for the current library.

Add Caption Add a caption to the active language subrole at the playhead location. Reject Mark the current selection in the browser as rejectedNote: The Delete key removes selected items if the timeline is active instead of the browser.

Select Clip Range Set the range selection to match the boundaries of the clip below the skimmer or playhead. Set Additional Range End Set an additional range selection endpoint at the playhead or skimmer location. Set Additional Range Start Set an additional range selection start point at the playhead or skimmer location. Set Range Start Set the start point for the range while editing a text field.

 
 

Apple final cut pro x cheat sheet pdf free download. Top 40 Keyboard Shortcuts for Final Cut Pro X

 
CHEAT SHEET. APPLE FINAL CUT PRO X. NAVIGATION. Go to Previous Frame. Go to Next Frame. Go Back 10 Frames. Go Forward 10 Frames. Go to Previous Subframe. FREE DOWNLOAD: This cheat sheet is available as a downloadable PDF from our distribution partner, TradePub. You will have to complete a short.

 

Apple final cut pro x cheat sheet pdf free download.www.makeuseof.com

 

Want to get up to speed with Final Cut Pro X FCP X The big focus on this release was media management. But who cares what I think? You should try it out for yourself and decide, and the point of this article is to give you some pointers that will hopefully make your transition from The Big Change: Libraries technically it is called a bundle, and there is.

So… before we dive into how to use the library, here are some of the benefits of the new library model:. You no longer need to worry about where your compound or multicam clips are located or whether something bad might happen if you pass a project between multiple editors.

Then, hand off the drive to the editor. From there you can pass transfer libraries back and forth to each other with new projects, compound clips, etc. You had to follow the rules or really bad things could happen. No longer. First off, SAN locations are gone. The library is like a giant capsule that houses all of your media for a production or group of productions that you would like to keep together as a larger unit. And if you just want your files for a library all going to one place with no folder like the way The project library from previous versions of FCP X is gone.

Make a smart collection for projects as well, which may be more useful to you, depending on your workflow. Snapshots vs. Glad you asked… took me awhile to figure this out, but the answer is kind of cool. They both allow you to create a copy of your project in one quick step and they share all the render files you have already.

If you instead choose to duplicate a project, changes that you make to compound clips and multicam clips will ripple through to the new project. Autosave Vault – Finally! If you have multiple drives, I would suggest that you change the Library backups location to another drive so if your main editing drive crashes, you will still have a saved copy of your work ready to go.

Resolution Independence You can make any kind of timeline you want now. This means you can deliver a master project based on the display requirements — like a vertical plasma monitor or something custom for a website. You can also play back native 6k Dragon footage in its own 6k timeline. You now have the option to do non-rippling speed changes as well. This means you can make speed changes and keep the duration of the rest of your timeline where it was.

If you speed something up, and turn Ripple off, it will add a gap clip in place of where the rest of the clip used to be. If you slow something down, it will cut off the end of the clip to compensate for the new duration. Used Media You can now see what parts of your clips are already in a timeline.

You can also select these as if they were favorites in the events browser and, if you switch timelines, used media ranges will automatically update to reflect the new timeline. And you can apply it to video clips for complicated keyframeless video animations.

Component Fade Handles Audio components now have all the functionality that regular video clips have. You can finesse the fade in or fade out of any individual audio channel in a multi-channel audio file directly in the timeline. Stabilization Update Stabilization controls became more customizable and it now has inertia cam and tripod modes for stabilizing a shot that is panning or zooming.

New Compressor Compressor got a much needed facelift. These become visible whenever you are working in a 4k timeline. I would expect to see quite a bit of additional functionality and performance enhancements to FCP X Apps and Plug-ins soon.

Seems like NAB would be perfect for that. It also represents a turning point for the App becoming as accessible for pros as it is for new editors. Basically, the goal here is to become the Apple Store for Pro Video Editors, and deliver battle tested workflows and configurations designed specifically for the FCP X user.

Also, if you want to see FCP X For more information and to reserve your free admission ticket, please visit:. And in the meantime, if you need help putting together your FCP X system or if you want a private demo of some of the things I just described, drop me an email at sam at fcpworks. Expect lots of your preconceived notions about content creation to start to change.

He\’s also a regular writer for fcp. I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today\’s NLEs.

Though I haven\’t yet tried to herd a flock of sheep through the city centre! I also designed and built the majority of the graphics as Motion templates.

It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. BBC\’s Snooker has played a big part in my life, I\’ve been editing tournament coverage since I\’m proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports\’ production.

This is currently an Adobe Premiere edit. I\’m the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release. I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch.

Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability. Now in its 10th year and 4th redesign, running FCP.

The recent Covid restrictions has enabled live FCP. This involves managing a Zoom Webinar through Restream. I\’m always open to new ideas and opportunities, so please get in touch at editor at fcp. I\’ve judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs! Remember Me. The Final Cut Pro Written by Peter Wiggins Published: 23 December Evergreen Blog Reading time: Edit audio separate from video or detach audio when using multicam clips.

You can now. Custom Retiming Changes. Speed changes, already one of the highlights of the app, got some nice additions in the new version. You can enter in custom speeds now. You also still do all of this from the speed menu directly below the inspector. Did they get rid of Optimized and Proxy media?!?! They just took it out of the preferences. Written by Peter Wiggins. Top Blogger Thought Leader. The Future I\’m always open to new ideas and opportunities, so please get in touch at editor at fcp.

Remember Me Log in Forgot Login? Sign up. How to resolve AdBlock issue? Refresh this page. Author Slaughter Share to Apple Devices p is suddenly pixellated after up Author mykes FCPX