Top 9 Logic Pro X Tips — Sage Audio

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

I now do most of my sound manipulations with just one wheel and one knob. All composers for media are confronted with this scenario regularly: you are given a video to score, with dialogue on one channel and temp music on the other. If you want to hear the dialogue without the temp music, you have to pan the track to one side. You can see in the Track Editor that this file has two different elements on each side dialogue and temp music.

After copying the region to another track, I use the pull-down menu next to the input assignment to select which side of the stereo file to play.

Simply copy the stereo region to another stereo track. Now look at the channel strips for each one. The little button next to the input is where you choose if the track is stereo or mono. However, if you right-click on it, you will discover some interesting options including Left and Right only visible on stereo tracks. These let you decide which side of the stereo file you want to hear. Buy PDF version. Previous article Next article. Login You may login with either your assigned username or your e-mail address.

The password field is case sensitive. Zoom settings are global, so they work across all of your sessions. Last month I demonstrated a method to make your track slow down and detune as if the power plug was pulled. This month I want to show you an even easier method. Select the region you want to affect.

Direct your attention to the Region Parameter Box. Now, with the fade tool, draw in a fade as you would for volume at the point where you want the region to begin slowing down. Nothing starts off a track better than a little pick-up into the first bar. Two potential problems come up when dealing with pick-ups, however. Got a two-beat drum intro? If you place it on beat 1, the rest of the song is offset by a half measure. These two problems are easily fixed.

First move the playhead to anywhere in the first measure. In this case, change it to a 2. By adjusting the bar position in the Synchronization settings, you can start the clock at any point in your track. The Marquee tool is fast becoming my best friend. Then try varying the Grain Size on the left-hand side to make your beat loop sound like it\’s being attacked by grains of sand! Rather than painstakingly boosting low velocities and curtailing high ones, let the Velocity Processor MIDI effect do the hard work for you.

Logic Pro lets you create automation either for individual regions or entire tracks. For example, if you want the same filter movement to repeat for every bar of a synth sequence, select Region Automation. On the other hand, if you want the synth to, say, fade in and out over a longer period of time, that curve would need to be drawn in Track Automation mode.

If you want the depth of mixing control offered by a live drum recording session when working with acoustic drum samples, try selecting a Producer Kit. With these, a close mic channel is created for every drum, along with overhead, room and leakage channels.

Fine Tune, Pitch Drift, Vibrato amount and even per note Volume can all be adjusted here, depending on which corner of the note you drag. This turns the part into a regular sequence, with individual hits now represented as MIDI notes.

We can now easily edit the drum pattern. Step 3: We convert the MIDI region to audio using Bounce In Place, then select the last two hits, muting the rest, before adding a slow-down effect at the end. We mute the corresponding section of the MIDI.

We also create a reversed audio file in the last beat of bar 4.

 
 

[Logic pro x tips and tricks free

 
Shop thousands of high-quality on-demand online courses. day satisfaction guarantee. Whether you\’re new to Logic Pro and MainStage or just looking to pick up some tips, you can get up to speed quickly with free online tutorials or fee-based. 1) Better Compression · 2) Transform Your MIDI · 3) Edit Your Key Commands · 4) Space Designer\’s Analog Tools · 5) Copy Automation · 6) Organize Your Presets · 7).

 

Logic Pro X: Six Tips & Tricks.Logic Pro – Resources – Apple

 

The software\’s feature-set has expanded greatly, turning a great music production package into an even greater one. What\’s more, the good news is that you can currently use Logic Pro X for free for 90 days , so if you\’ve got a Mac, now\’s the time to find out what it can do for you.

We\’ve called on all our Logic Pro X experience to put together this list of power tips, which are designed to make your experience of using the software even happier. Playback will now skip that section. Instead, try Track Alternatives, which lets you try out several ideas before choosing your favourite. The Pencil Tool is a useful way of inputting MIDI notes, but it can be time-consuming clicking 16 times to input a row of hi-hat notes in a drum pattern.

To do the same thing more quickly, select the Brush Tool. Click the purple Link button in the top right-hand corner of the plugin window and the Instrument on your current track will always be the one in front of you. Suddenly, any notes you play on the keyboard start to lag, with an audible gap between triggering them and the corresponding sounds being heard. Enable this whenever you need to add notes to a busy project. Suddenly, all of your drums can share a single fader, and auxiliary effects added to a Stack will affect all sounds inside it in the same way.

These keep the plugins associated with a project active, making it easier than loading a whole new session. Switch it on by right-clicking the grey Control bar at the top, selecting Customize Control Bar and Display, and choosing Capture Recording. Need to grab a sound, some MIDI or automation data, or a whole channel setup from another project? Here\’s how to make yourself a master of imports…. Now we want to add something we created in another project. Step 2: We can browse to the relevant track without having to leave this project.

Click Browsers in the top right-hand corner, then All Files. Browse to the location and double-click the relevant Logic Pro X project. Step 3: Click the Content for the sound s you want – and, if you like, the auxiliary effects and automation you used, too, then click Add.

The regions from that project will be added to your current project – move them, edit them and drop them wherever you like.

To edit the selections, click i in the top left-hand corner of the Smart Controls window then the dial you want to reassign, and browse through the parameters available for it. A good way to make glitchy, weird beats is to enable Flex Mode and choose Tempophone as your Flex algorithm. Click the audio region to create Flex Markers and pull them around, creating high and low speed sections in the process. Then try varying the Grain Size on the left-hand side to make your beat loop sound like it\’s being attacked by grains of sand!

Rather than painstakingly boosting low velocities and curtailing high ones, let the Velocity Processor MIDI effect do the hard work for you. Logic Pro lets you create automation either for individual regions or entire tracks. For example, if you want the same filter movement to repeat for every bar of a synth sequence, select Region Automation. On the other hand, if you want the synth to, say, fade in and out over a longer period of time, that curve would need to be drawn in Track Automation mode.

If you want the depth of mixing control offered by a live drum recording session when working with acoustic drum samples, try selecting a Producer Kit. With these, a close mic channel is created for every drum, along with overhead, room and leakage channels. Fine Tune, Pitch Drift, Vibrato amount and even per note Volume can all be adjusted here, depending on which corner of the note you drag.

This turns the part into a regular sequence, with individual hits now represented as MIDI notes. We can now easily edit the drum pattern. Step 3: We convert the MIDI region to audio using Bounce In Place, then select the last two hits, muting the rest, before adding a slow-down effect at the end. We mute the corresponding section of the MIDI. We also create a reversed audio file in the last beat of bar 4.

Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite. Computer Music opens in new tab opens in new tab.