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The pointer icon now includes a pair of scissors cut from its current location. Note You can release the Ctrl or Command key after you start dragging, and the Move tool remains active.

Photoshop reverts to the previously selected tool when you deselect, whether you click outside the selection or use the Deselect command.

Moving a selection with the arrow keys You can make minor adjustments to the position of selected pixels by using the arrow keys. You can nudge the selection in increments of either one pixel or ten pixels. When a selection tool is active in the Tools panel, the arrow keys nudge the selection border, but not the contents.

When the Move tool is active, the arrow keys move both the selection border and its contents. Before you begin, make sure that the plate of shells is still selected in the image window. Press the Up Arrow key on your keyboard a few times to move the oval upward. Notice that each time you press the arrow key, the plate of shells moves one pixel. Experiment by pressing the other arrow keys to see how they affect the selection. Hold down the Shift key as you press an arrow key.

When you hold down the Shift key, the selection moves ten pixels every time you press an arrow key. Sometimes the border around a selected area can distract you as you make adjustments. Either command hides the selection border around the plate of shells.

Using the Magic Wand tool The Magic Wand tool selects all the pixels of a particular color or color range. As with many of the selection tools, after you make the initial selection, you can add or subtract areas of the selection. The Tolerance option sets the sensitivity of the Magic Wand tool.

This value limits or extends the range of pixel similarity. The default tolerance value of 32 selects the color you click plus 32 lighter and 32 darker tones of that color. You may need to adjust the tolerance level up or down depending on the color ranges and variations in the image.

If a multicolored area that you want to select is set against a background of a different color, it can be much easier to select the background than the area itself. Select the Rectangular Marquee tool , hidden behind the Elliptical Marquee tool.

Drag a selection around the piece of coral. Make sure that your selection is large enough so that a margin of white appears between the coral and the edges of the marquee.

At this point, the coral and the white background area are selected. Select the Magic Wand tool , hidden under the Quick Selection tool. In the options bar, confirm that the Tolerance value is This value determines the range of colors the wand selects.

Click the Subtract From Selection button in the options bar. A minus sign appears next to the wand in the pointer icon. Anything you select now will be subtracted from the initial selection. Click in the white background area within the selection marquee. The Magic Wand tool selects the entire background, subtracting it from the selection.

Now all the white pixels are deselected, leaving the coral perfectly selected. Softening the edges of a selection To smooth the hard edges of a selection, you can apply anti-aliasing or feathering, or use the Refine Edge option. Anti-aliasing smooths the jagged edges of a selection by softening the color transition between edge pixels and background pixels. Since only the edge pixels change, no detail is lost.

Anti-aliasing is useful when cutting, copying, and pasting selections to create composite images. Select the tool to display its options in the options bar. To apply anti-aliasing, you must select the option before making the selection.

Once a selection is made, you cannot add antialiasing to it. Feathering blurs edges by building a transition boundary between the selection and its surrounding pixels. This blurring can cause some loss of detail at the edge of the selection. You can define feathering for the marquee and lasso tools as you use them, or you can add feathering to an existing selection. Feathering effects become apparent when you move, cut, or copy the selection.

You can use the Refine Edge option to smooth the outline, feather it, or contract or expand it. Enter a Feather value in the options bar. This value defines the width of the feathered edge and can range from 1 to pixels. Enter a value for the Feather Radius, and click OK. Selecting with the lasso tools As we mentioned earlier, Photoshop includes three lasso tools: the Lasso tool, the Polygonal Lasso tool, and the Magnetic Lasso tool. You can use the Lasso tool to make selections that require both freehand and straight lines, using keyboard shortcuts to move back and forth between the Lasso tool and the Polygonal Lasso tool.

Make sure you can see the entire mussel in the window. Starting at the lower left section of the mussel, drag. Do not release the mouse button. Press the Alt Windows or Option Mac OS key, and then release the mouse button so that the lasso pointer changes to the polygonal lasso shape.

Do not release the Alt or Option key. Begin clicking along the end of the mussel to place anchor points, following the contours of the mussel. Be sure to hold down the Alt or Option key throughout this process.

The selection border automatically stretches like a rubber band between anchor points. When you reach the tip of the mussel, hold down the mouse button as you release the Alt or Option key.

The pointer again appears as the lasso icon. Carefully drag around the tip of the mussel, holding down the mouse button. When you finish tracing the tip and reach the lower side of the mussel, first press Alt or Option again, and then release the mouse button.

Click along the lower side of the mussel with the Polygonal Lasso tool as you did on the top. Continue to trace the mussel until you arrive back at the starting point of your selection near the left end of the image. Click the starting point of the selection, and then release Alt or Option. The mussel is now entirely selected. Leave the mussel selected for the next exercise. Note To make sure that the selection is the shape you want when you use the Lasso tool, end the selection by dragging across the starting point of the selection.

If you start and stop the selection at different points, Photoshop draws a straight line between the start and end points of the selection. Before you begin, make sure that the mussel is still selected. The mussel and selection marquee are enclosed in a bounding box. Move the pointer outside the bounding box so that it becomes a curved, doubleheaded arrow.

Drag to rotate the mussel to a degree angle. You can verify the angle in the Rotate box in the options bar. Press Enter or Return to commit the transformation. If necessary, select the Move tool and drag to reposition the mussel, leaving a shadow to match the others. Selecting with the Magnetic Lasso tool You can use the Magnetic Lasso tool to make freehand selections of areas with highcontrast edges.

When you draw with the Magnetic Lasso tool, the selection border automatically snaps to the edge between areas of contrast. You can also control the selection path by occasionally clicking the mouse to place anchor points in the selection border. Select the Magnetic Lasso tool , hidden under the Lasso tool. Click once along the left edge of the nautilus, and then move the Magnetic Lasso tool along the edge to trace its outline.

Tip In low-contrast areas, you may want to click to place your own fastening points. You can add as many as you need. To remove the most recent fastening point, press Delete, and then move the mouse back to the remaining fastening point and continue selecting. When you reach the left side of the nautilus again, double-click to return the Magnetic Lasso tool to the starting point, closing the selection. Or you can move the Magnetic Lasso tool over the starting point and click once. Double-click the Hand tool to fit the image in the image window.

Make sure that you can see the entire screw head in your image window. Select the Elliptical Marquee tool in the Tools panel. Move the pointer to the approximate center of the screw.

Click and begin dragging. Then, without releasing the mouse button, press Alt Windows or Option Mac OS as you continue dragging the selection to the outer edge of the screw. The selection is centered over its starting point.

When you have the entire screw head selected, release the mouse button first, and then release Alt or Option and the Shift key if you used it.

Tip To select a perfect circle, press Shift as you drag. Hold down Shift while dragging the Rectangular Marquee tool to select a perfect square. If necessary, reposition the selection border using one of the methods you learned earlier. If you accidentally released the Alt or Option key before you released the. Before you begin, make sure that the screw is still selected.

Select the Move tool in the Tools panel. Position the pointer within the screw selection. The pointer becomes an arrow with a pair of scissors , indicating that dragging the selection will cut it from its current location and move it to the new location. Drag the screw onto the lower right corner of the shadowbox. A bounding box appears around the selection.

Then press Enter or Return to commit the change and remove the transformation bounding box. As you resize the object, the selection marquee resizes, too. Use the Move tool to reposition the screw after resizing it, so that it is centered in the corner of the shadowbox frame. Moving and duplicating a selection simultaneously You can move and duplicate a selection at the same time.

If the screw is no longer selected, reselect it now, using the techniques you learned earlier. The pointer changes, displaying the usual black arrow and an additional white arrow, which indicates that a duplicate will be made when you move the selection.

Continue holding down the Alt or Option key as you drag a duplicate of the screw straight up to the top right corner of the frame. Pressing the Shift key as you move a selection constrains the movement horizontally or vertically in degree increments.

Repeat step 3 to drag a fourth screw to the lower left corner of the frame. Copying selections You can use the Move tool to copy selections as you drag them within or between images, or you can copy and move selections using the Copy, Copy Merged, Paste, and Paste Into commands.

Dragging with the Move tool saves memory, because the clipboard is not used as it is with the commands. The source selection is pasted onto a new layer, and the destination selection border is converted into a layer mask. Keep in mind that when a selection is pasted between images with different resolutions, the pasted data retains its pixel dimensions. This can make the pasted portion appear out of proportion to the new image. Use the Image Size command to make the source and destination images the same resolution before copying and pasting.

Select the Crop tool , or press C to switch from the current tool to the Crop tool. Photoshop displays a crop boundary around the entire image. In the options bar, make sure Ratio is selected in the Preset pop-up menu and that there are no ratio values specified. Then confirm that Delete Cropped Pixels is selected. When Ratio is selected but no ratio values are specified, you can crop the image with any proportions. Drag the crop handles so that the shadowbox is in the highlighted area, omitting the backgrounds from the original objects at the bottom of the image.

Tip To crop an image with its original proportions intact, choose Original Ratio from the Preset pop-up menu in the options bar. The shadowbox is complete! How do you add to and subtract from a selection? What does the Quick Selection tool do? How does the Magic Wand tool determine which areas of an image to select? What is tolerance, and how does it affect a selection? Only the area within an active selection can be edited. To add to a selection, click the Add To Selection button in the options bar, and then click the area you want to add.

To subtract from a selection, click the Subtract From Selection button in the options bar, and then click the area you want to subtract. You can also add to a selection by pressing Shift as you drag or click; to subtract, press Alt Windows or Option Mac OS as you drag or click.

The Quick Selection tool expands outward from where you click to automatically find and follow defined edges in the image. The Magic Wand tool selects adjacent pixels based on their similarity in color. The Tolerance value determines how many color tones the Magic Wand tool will select.

The higher the tolerance setting, the more tones are selected. This lesson will take less than an hour to complete. In Photoshop, you can isolate different parts of an image on layers.

Each layer can then be edited as discrete artwork, giving you tremendous flexibility as you compose and revise an image. About layers Every Photoshop file contains one or more layers. New files are generally created with a background layer, which contains a color or an image that shows through the transparent areas of subsequent layers.

All new layers in an image are transparent until you add text or artwork pixel values. Working with layers is analogous to placing portions of a drawing on clear sheets of film, such as those viewed with an overhead projector: Individual sheets may be edited, repositioned, and deleted without affecting the other sheets. When the sheets are stacked, the entire composition is visible. When prompted, click Yes to delete the Adobe Photoshop Settings file. Then double-click the Lesson04 folder in the Content panel to see its contents.

Study the 04End. This layered composite represents a postcard. You will create it in this lesson as you learn how to create, edit, and manage layers. Double-click the 04Start. Saving another version of the start file frees you to make changes without worrying about overwriting the original. Using the Layers panel The Layers panel lists all the layers in an image, displaying the layer names and thumbnails of the content on each layer.

You can use the Layers panel to hide, view, reposition, delete, rename, and merge layers. The layer thumbnails are automatically updated as you edit the layers.

The Layers panel lists five layers for the 04Working. If you click the eye, the image window no longer displays that layer. The first task for this project is to add a photo of the beach to the postcard. Tip Use the context menu to hide or resize the layer thumbnail.

Right-click Windows or Control-click Mac OS a thumbnail in the Layers panel to open the context menu, and then choose a thumbnail size. The Layers panel changes to display the layer information for the active Beach. Notice that only one layer appears in the Beach. About the background layer When you create a new image with a white or colored background, the bottom layer in the Layers panel is named Background.

An image can have only one background layer. You cannot change the stacking order of a background layer, its blending mode, or its opacity. You can, however, convert a background layer to a regular layer. To convert a background layer into a regular layer: 1. Click the lock icon next to the layer name.

Rename the layer. To convert a regular layer into a background layer: 1. Select a layer in the Layers panel. Renaming and copying a layer To add content to an image and simultaneously create a new layer for it, drag an object or layer from one file into the image window of another file.

Whether you drag from the image window of the original file or from its Layers panel, only the active layer is reproduced in the destination file. Before you begin, make sure that both the 04Working. Keep the layer selected. Photoshop displays both of the open image files. Select the Beach. Select the Move tool , and use it to drag the Beach. Tip If you hold down Shift as you drag an image from one file into another, the dragged image automatically centers itself in the target image window.

The Beach layer now appears in the 04Working. Photoshop always adds new layers directly above the selected layer; you selected the Background layer earlier.

Tip Need images for a project like this one? If you purchase the images, Photoshop replaces the placeholders with high-resolution images. Viewing individual layers The 04Working. Some of the layers are visible and some are hidden. The eye icon next to a layer thumbnail in the Layers panel indicates that the layer is visible. Click the eye icon next to the Pineapple layer to hide the image of the pineapple. Select the Beach layer. To select the layer, click the layer name in the Layers panel.

The layer is highlighted, indicating that it is active. Changes you make in the image window affect the active layer. To make the opaque areas on this layer more obvious, hide all layers except the Beach layer: Press Alt Windows or Option Mac OS as you click the eye icon next to the Beach layer. The white background and other objects in the image disappear, leaving only the beach image against a checkerboard background. The checkerboard indicates transparent areas of the active layer.

The Layer Style dialog box opens. Rearranging layers The order in which the layers of an image are organized is called the stacking order. The stacking order determines how the image is viewed—you can change the order to make certain parts of the image appear in front of or behind other layers.

The beach image is almost entirely blocked by images on other layers. Changing the opacity of a layer You can reduce the opacity of any layer to reveal the layers below it. In this case, the postmark is too dark on the flower. Select the Postage layer, and then click the arrow next to the Opacity field to display the Opacity slider.

You can also type 25 in the Opacity box or scrub the Opacity label. Notice that the change in opacity affects only the image area of the Postage layer.

Duplicating a layer and changing the blending mode You can apply different blending modes to a layer. Blending modes affect how the color pixels on one layer blend with pixels on the layers underneath.

Currently, the blending mode for both layers is Normal. Right-click or Control-click the Pineapple layer, and choose Duplicate Layer from the context menu. Click OK in the Duplicate Layer dialog box. Blending modes Blending modes affect how the color pixels on one layer blend with pixels on the layers beneath them.

The default blending mode, Normal, hides pixels beneath the top layer unless the top layer is partially or completely transparent. Each of the other blending modes let you control the way the pixels in the layers interact with each other. Often, the best way to see how a blending mode affects your image is simply to try it.

You can easily experiment with different blending modes in the Layers panel, applying one after another to compare the effects. As you begin experimenting, keep in mind how different groups of blending modes affect an image. Patterns or colors overlay the existing pixels while preserving the highlights and shadows of the underlying layers.

With the Pineapple copy layer selected, choose Overlay from the Blending Modes menu in the Layers panel. The Overlay blending mode blends the Pineapple copy layer with the Pineapple layer beneath it to create a vibrant, more colorful pineapple with deeper shadows and brighter highlights. Select the Postage layer, and choose Multiply from the Blending Modes menu. The Multiply blending mode multiplies the colors in the underlying layers with the color in the top layer.

In this case, the postmark becomes a little stronger. Resizing and rotating layers You can resize and transform layers. Click the Visibility column on the Beach layer to make the layer visible.

A Transform bounding box appears around the beach image. The bounding box has handles on each corner and each side. Press Shift as you drag a corner handle inward to scale the beach photo down by. Watch the Width and Height percentages in the options bar.

With the bounding box still active, position the pointer just outside one of the corner handles until it becomes a curved double arrow. Drag clockwise to rotate the beach image approximately 15 degrees. You can also enter 15 in the Set Rotation box in the options bar. Click the Commit Transform button in the options bar.

Make the Flower layer visible. Then, select the Move tool , and drag the beach photo so that its corner is tucked neatly beneath the flower, as in the illustration. Adding empty layers to a file is comparable to adding blank sheets of film to a stack of images. In the Layers panel, select the Background layer to make it active, and then click the Create A New Layer button at the bottom of the Layers panel.

A new layer, named Layer 1, appears between the Background and Pineapple layers. The layer has no content, so it has no effect on the image. Double-click the name Layer 1, type Clouds, and press Enter or Return to rename the layer. In the Tools panel, click the foreground color swatch, select a sky blue color from the Color Picker, and click OK.

The Background Color remains white. Dragging to add a new layer You can add a layer to an image by dragging an image file from the desktop, Bridge, or Explorer Windows or the Finder Mac OS. In Photoshop, select the Pineapple copy layer in the Layers panel to make it the active layer. Then navigate to the Lesson04 folder. Select Flower2. The Flower2 layer appears in the Layers panel, directly above the Pineapple copy layer. Photoshop places the image as a Smart Object, which is a layer you can edit without making permanent changes.

Tip You can drag images from a Bridge window to Photoshop as easily as you can drag from the Windows or Mac desktop. When you double click on the surface, the surface will be unlocked. To sample the color as foreground color, we use the eye-dropper tool. Select the foreground color square, use the paint bucket tool or brush tool for covering the area.

You can also use Clone Stamp Tool. They both are file formats to store digital images. PSD is a default extension for Photoshop files and it can support the file size of 30, by 30, pixels. While for creating big documents or large image. Healing tool is used in Photoshop to hide the unwanted spots or pictures that appeared in your original picture and makes picture look like real without any changes.

The tool use complicated algorithm to calculate what would be the area of your picture based on the surrounding pixels. Yes, you can use bamboo tablet in Photoshop. After installing the bamboo tablet software, open the software. Once done, the next step is to configure the four hotkeys of Bamboo tablet with the help of the software available in tablet.

Create a new document and open the Photoshop, you can now have Photoshop with a bamboo tablet. Reduce noise option is helpful to reduce the color and luminance effect in the image. To reduce the noise in an image, you have to go in a menu bar, select a filter menu, and in that you will see an option for NOISE. Again, clicking on it, it will show other option including reducing noise. To create an artistic border, you must select an image.

Gaussian blur is a tool that blurs the edges of the image to make it more real and adaptive to the surrounding. Often it is believed that Gaussian blur can only blurs the image, but if it is used cleverly it will not blurs the image but enhance the appearance.

Photoshop provides two palettes for selecting color, a Swatch Palettes b Color Palettes. Some specific colors can be used without remembering the numeric color values.

Also, colors can be extracted from an available image. Default swatches and custom swatches are also an additional option for the users. With lasso tools precise area of an image can be selected, just by tracing the selection outlines the areas are selected. Can I download Photoshop for free? Only the trial version. What is the best free Photoshop? Can I buy Photoshop permanently?

Is Photoshop free for students? Which free alternatives are there for Photoshop? Keep reading below for free alternatives to Photoshop. Is Gimp as good as Photoshop? How long is the Photoshop free trial? It is 7 days long. Can you illegally download Photoshop? How do I get Photoshop legally without having to pay? Photoshop for free? More of your questions answered: Can I download Photoshop for free? Where can I download Photoshop for free? Is there a free version of Adobe Photoshop?

Although Adobe previously offered a completely free version of CS2 Creative Suites 2 , it no longer offers the suite for free.

Now, the only version available for free is the 7-day free Photoshop trial. What version of Photoshop is available for free? Adobe offers several options for a free, 7-day trial of Adobe Photoshop. You can opt for a trial of just Photoshop or the whole Creative Suites. Is there a student discount for Photoshop? Like anyone else, students can sign up for a free trial of Photoshop. Also, Adobe offers nice student discounts for Photoshop for certain universities and learning institutions.

Where can I learn Photoshop for free? It looks to be the eraser which is between the history brush and gradient tools. Improve this answer. Jed Burke Jed Burke 8 8 silver badges 12 12 bronze badges. Thanks for your answer. It was very helpful — Mahadi Matsawily. Sign up or log in Sign up using Google. Sign up using Facebook. Sign up using Email and Password. Post as a guest Name.